Art & Exposed Brick Walls

We like art. When we move in our walls will definitely not be bare. Plus, Dan has an MFA in sculpture from Cranbrook – that’s sorta the point of the entire top floor (his art studio). So one of the issues we had to resolve was hanging art on the exposed brick walls. We didn’t want to be putting nails into the brick, so we needed an art hanging system. Our solution looks like this…

picture hanging track

There’s some cleaning up to do (joint compound on the brick), but you can see the thin track right along the brick. There are special hangers you put into it that let you hang art – up to 65 pounds per hanger.

We did it a little differently than the architect planned. He proposed it be recessed a bit and hidden…

But the problem with that was that it was impossible to get the hangers into the track with his solution and even if it had worked, it was a lot more work for our contractor. Our solution is easier and since the track is so minimal it still looks pretty good.

Here it is going in. it has a flange to one side that gets taped and mudded to the drywall…

picture track installation

There was another type that could have worked well. It was much bigger and was made to go next to 5/8″ drywall. It would have worked, but it was 2 1/2 times the price and still only held 65 pound – so we stayed saved some money and went with the smaller one.

Deciding On A Kitchen Design

We’ve been going around and around trying to figure out the best design for the kitchens…

Our Kitchen

Initially we wanted an Eggersmann kitchen for ourselves and Eggersmann came up with an initial design for us…

Initial Eggersmann design

The black cabinets would have been made out of this wonderful laminate that had this cool texture and a hint of brown in the black – it would have been very sexy…

When that was too expensive they proposed a less expensive compromise design with mostly white laminate (which sounds boring, but is beautiful when they do it…)

Less expensive Eggersmann kitchenThen came the budget cuts to get everything in on budget. We put our discretionary money towards things that are hard to redo later – stairs, windows, etc. The kitchen (we still want) got cut and so now we’re getting an Ikea kitchen.

Ikea kitchens can be fine – in fact they can be beautiful. Ontario designer Carol Reed does some great stuff with Ikea cabinets – and she even references Margot Austin’s country house kitchen – a good friend of Dan’s from university days. Thing is, it’s hard to get the look we want – you sorta have to start with what you can do with Ikea and find a look that’s you’re OK with – they just aren’t as flexible or have as many options as a European modular kitchen like Eggersmann – at least not in the US (Ikea’s offerings in Europe are apparently much better). We don’t want someone to walk in and think “Ikea kitchen”.

At first we thought we would get Ikea’s Nexus birch cabinets and dress them up with a stainless counter. In theory that should look great, but when we see the birch cabinets in person we keep not liking them… Then I thought maybe we’d do white laminate or lacquer cabinets – Ikea has three levels of finish. The “best” one (Abstrakt) looks cool, but it’s a bit too glossy and cold for my taste, the chepest (Härlig) is well, cheap. And we’re not too fond of the middle one either (Appläd) – it just doesn’t look like a quality cabinet – it looks inexpensive which is not the first thing we want people to think when they walk in our house.

There are a few remaining contenders. One is Ikea’s Abstrakt glossy dark gray lacquer with black counter tops – like this display kitchen…

Glossy gray Ikea kitchenThe more I look at that kitchen, the more I like it. Basically we’d be going pretty dark with the kitchen as a whole. The floors will be a fairly light colored white oak – basically they’ll have the color of unfinished wood – maybe slightly whiter. The darkness should work with the dark color of the window and french entry doors.

Our other top contender is Ikea’s Ramsjö “black brown” cabinets – in which case we’ll really embrace darkness. We don’t like the black-brown in the contemporary flat panels (Nexus), but with a traditional framed doors it looks pretty good… Here’s a bit of an over-the-top kitchen Ikea mocked up with the Ramsjö black-brown cabinets…

Ikea black-brown kitchenThe traditional paneled doors would give a more traditional/transitional feel to the space which would be in contrast to the rather modern aesthetic we’re going for generally – but it could work – after all we have dark colored paneled french entry doors in the kitchen.

Dan’s current thinking is to get very shiny nearly-black tile that will reflect a lot of light – sort of like the tile in the picture only darker. His inspiration is the shiny black tile corridors in the Ministry of Magic in Harry Potter…

Ministry of Magic black tile hallwayThe general issue with going dark is that the kitchen is right next to the staircase which is a major white element. The stairs will have white steel and white Plexi sides. The only color is the stair treads which will be the same light colored white oak we have on all the floors. Having something so dark next to something so white may be a problem. Perhaps we can bring in white by doing counters that look like marble (actual marble would be impossible to maintain).

Or we could go with a white kitchen (wood, not laminate/lacquer). The black-brown Ramsjö cabinets in the picture above also come in a white, but the white is slightly pink since it’s a white glaze over birch. We’re not sure we like the pinky nature of the color. They have other white cabinets (Ädel) that are a truer white, but they don’t use solid wood for the cabinet frames. Plus, with white we worry we’ll have too much white everywhere given how white the staircase will be…

One thing we have settled on is the layout of the kitchen. We went through a number of iterations, but we’re settling on this layout…

Layout of our kitchenThat will be an island with a sink, and the appliances will be stainless. While we’d love Sub Zero/Wolf like we had last time, we’ll be getting Electrolux fridge/range to help with the budget. If we go with the glossy gray cabinets, the wall-hung cabinets will be double decked horizontal cabinets – sorta like in the gray demo kitchen picture.

Two weeks ago we went to Ikea in Elizabeth. Last week we went to Ikea in Paramus, and tomorrow we’ll go to Ikea in Brooklyn. Hopefully we’ll see something that will help us make up our minds.

The Rental Kitchen

In addition to the Eggersmann kitchen for us, we initially wanted this honey brown (Nexus?) kitchen we saw at Ikea for the rental. It looked great and we thought tenants would like it…

Initial rental kitchen designIn terms of layout we are still going to do something very close to that… The location of the fridge and oven will be swapped and the space between them will be much smaller than in the demo kitchen, but otherwise the layout is almost identical – it’s just their island will be a peninsula in our rental kitchen. Here’s our current/final design – I think you can see how similar it is to the demo kitchen…

rental kitchen design

The renter will be able to sit a couple people at the peninsula which could substitute for a dining room table if they want to dedicate more space to the living room.

Problem is, Ikea discontinued the honey brown finish we wanted. While we had the layout set, we had to pick another cabinet finish. The rental kitchen/dining/living room is the darkest room in our house. One of the front “windows” (actually doors) brings in almost no light since it’s under the stoop, and the other is shaded from the morning light by the stoop – and the room is rather deep so not much natural light gets back to the kitchen. I thought maybe we should embrace the darkness and go with the Ramsjö black-brown, but Dan nixed that idea.

Instead we’re going to offset the darkness by going bright white… We’ll be doing the Ädel kitchen in the rental – a bit like this, but with different uppers…

Ikea's Ädel in the rental kitchenIt’s a pretty neutral kitchen and should have broad appeal with renters. It’s a bit modern, but also pretty traditional.

Wrap-Up

Honestly, I just want to make a decision on our kitchen and move forward – but I keep vacillating between the different options. Ikea’s limited selection is bugging me a bit.

The upside is that Ikea’s having a 20% off sale on kitchens – that will save us quite a bit of money, which is helpful.

One other thing I should mention is that you can buy your cabinet boxes from Ikea and your cabinet fronts from a place like SemiHandMadeDoors.com (based in LA). We got quotes from them and from another place, but they cost more than we wanted to pay (rift-sawn walnut laminate was about 5 times the cost of Ikea’s Nexus birch not counting the 20% off Ikea’s offering now). If we’re going to pay good money for a kitchen we’d rather wait pay even more and get Eggersmann. If SemiHandMade had been just a little more we would have gone with them…

UPDATE

We went to Ikea this past weekend and settled on the glossy gray cabinets. The black-brown would have been too big of a visual difference from our white staircase. The final design is roughly like this…

Parlor Kitchen RenderingThe extractor hood will be different, the fridge will be side-by-side and the colors aren’t exactly right, but that’s the general gist.

Picking A Color For Our Cornice

One of the things we’ve been contemplating lately is the color of our cornice. We thought we had a color picked out, but as I was half way done writing up this blog post I changed my mind. When I talked with Dan he agreed with me – that we should change our strategy.

It all started with me walking around Mount Morris Park taking pictures of townhouses for real estate clients – with the objective of understanding what was out there and possibly available. I looked at the cornice colors and my favorite color was gray – it just makes for an incredibly handsome cornice. Here’s the gray cornice from 30 West 120 which sold recently for $2.5M

gray-brown corniceTo my eye that’s a bit of a brownish gray. There are also some handsome gray cornices at the other end of our block – 102 and 104 West 123rd both have gray cornices…

gray cornicesAs you can see 102 (on the left) has more of a taupey gray and 104 has more of a bluish gray. Personally I don’t really like the bluish gray so much. I like a taupey or brownish gray..

What we’re worried about when it comes to using gray is that our façade will have too many different colors. Our windows will be a chocolate color, our stoop railings and the grill work on basement level will be black – gray wasn’t really a color we were going to have anywhere else except the cornice, so it didn’t really make sense. The places we liked that used gray used it elsewhere on the building.

The chocolate is sort of tone-on-tone with the brownstone façade. We could have gone with a chocolate cornice… Those look good too…

chocolate colored corniceBut the color we’ve decided to go with is black…

black corniceThat means our building’s hat (cornice) will match it’s shoes (stoop railings and basement grill work) while the windows and basement doors will just blend in with the brownstone. The only down side is that it will be a pretty somber/formal color combination.

The one remaining question is the color of the front parlor doors. Dan’s advocating for chocolate colored doors with the logic that all the wood on the façade should be the same color. I could see that, but I could also see black since that the façade’s accent color is black and the parlor door is a focal point of the façade. We’ve got some time before we have to make that decision. I’m guessing we’ll go with chocolate – it will soften the look and make the façade seem less formal.

Our Newly Framed Art: Warhol, Nordström & Kerlin

Dan likes to buy art. In all truthfulness I like to buy art as well, but lately we’ve been trying to save our pennies to have money for the house. But we did just get some art framed…

Andy Warhol – Pasadena Art Museum Poster 1970

The most recognizable name amongst our newly framed art is Andy Warhol. As Warhols go this is a rather inexpensive piece… It’s the “Brillo” poster from his museum show in 1970 at the Pasadena Museum of Art. Like a lot of Warhol’s work, it’s a screen print. Apparently it was made at Warhol’s “Factory” and it’s signed, so it’s not “just a poster”.

Framed Warhol Poster

Dan and his friend John Serdula found the frame down in South Jersey in this barn filled with old frames. We need to get John to do a bit more restoration on the frame – it’s a bit too rough for my liking. We like the contrast of new and old though. If we had put the poster in a contemporary frame it would have just looked like a poster. In an old 19th century French frame it has more character.

We’ve actually had the poster and the frame for a while now. It’s just we finally finished the job and had it all put together.

Jockum Nordström – “House And Bugs” 2008

The next piece of art is one that Dan got me to cave in on and we bought it in the past year – it’s by Jockum Nordström – “House And Bugs”. David Zwirner Gallery had loaned it to a show John organized at Heskin Contemporary. This piece looks a lot better in person – the picture doesn’t do it justice (probably the lighting)…

Framed print by Jockum Nordström

It is a print (edition of 50), but it’s a really well done print. Apparently Nordström went off to learn print making and he made these prints himself. He’s put out another round of prints since then that were “professionally” printed and apparently they’re not nearly as nice.

Nordström’s work, while contemporary, is rather folky. It goes really well with the old frame we put it in. The frame actually has a history of it’s own. It used to be the frame for Gifford Beal’s “The Albany Boat” (1915) which is owned by the Met. Here’s a picture of that piece…

Gifford Beal's The Albany Boat

We had to cut down the frame slightly, but it still has tags on the back from the Met and from the LA County Museum of Art (from when it was on loan there).

We got the frame from Hudson City Antiques. John is good friends with the owners and he spotted the frame when they brought into their shop and said it would be perfect for the Nordström piece. John then did some restoration on it so now it looks pretty incredible (at least in person).

Sherry Kerlin – “The Bride of Christ” 2007

The last piece also has a John Serdula connection (as does much of our art)… The artist, Sherry Kerlin, is someone we met through John. She needed a website, so Dan designed and built a website for her and in exchange we got to pick out one of her pieces of art.

Framed artwork by Sherry Kerlin

The image is of a little girl with a rosary on her first day of communion. We love it – the button eyes on it are a bit spooky (given the general innocence of the piece) – but it’s what you expect of one of Sherry’s pieces – she has a slightly sardonic view of the world around her.

And like the Nordström piece, we got the frame at Hudson City Antiques. If you’re looking for old, historic frames you definitely should check them out. Not only that, but they’re far more flexible than a regular framer. For example, we really wanted UV plexiglass for the Warhol and the Nordström, but the price his supplier was charging him was a bit crazy. So he let Dan find UV plexi cheaper online and have it shipped to his store – something most framers would never agree to. That saved us hundreds of dollars and will save the artwork from damage down the road (a lot of similar Warhol posters are pretty faded).

Wrap Up

So our theme at the moment seems to be contemporary art in old frames, but Dan was just remarking that he wants to mix it up and go back to new/contemporary frames when we next do framing.

Now we just need to finish the house so we have space to hang all the art… Our current rental is looking a bit over-crowded with art at the moment.

40 Story Buildings In Washington Heights?

Our contractor took the week off this week (long story), so I figure I’d do a blog post I’ve been meaning to do for a while now… Whether really tall buildings are appropriate uptown.

Back in early May Quadriad proposed a set of 40(ish) story buildings for our old neighborhood – around 190 and Broadway. They’d literally tower over all the buildings around them. Here’s what they were proposing… Phase 1 would be three towers built on top of the 191 Street IRT station (the 1 line)…

Quadriad Phase 1 - 3 towers

Phase 2 would knock down a funeral home across the street and put up a 4th building that’s shorter…

Quadriad Phase 2 - 4 buildings

We got into a bit of a discussion with a friend of ours who lives quite near where these buildings will be built. She thinks they’re a horrible idea, but Dan and I sorta like them. Our friend’s argument is that they’re inappropriate for the neighborhood. Nothing in Washington Heights is 40 stories. I think the highest is 20-some stories. She prefers the “as-of-right” option the developers have proposed, which looks like this…

Quadriad As Of Right Proposal

To which Dan and I say “eh…” It’s just boring architecture.

Our friend’s other argument is that luxury condos (or luxury rentals) are a bad idea – that Washington Heights should remain largely affordable housing. The irony is that she’s one of those rare Manhattan Republicans. How a Republican can be opposed to the interests of developers beyond me – I thought that was one of the defining characteristics of Republicans in New York. The other thing is that the capitalist (Republican?) argument should be that more supply => demand is accommodated => lower prices. In other words, if you want Manhattan to still have affordable housing you need more units on the market to meet the demand since the more there is of something, the lower its price will be. Clearly there’s not much vacant land in Manhattan – that means you need to build up.

Plus, all major development projects these days include affordable housing units. The bigger the project, the more affordable housing units you’ll get. So if you want affordable housing in Manhattan you should be in favor of projects like this one.

I’ve also heard people say tall buildings uptown will overburden the transportation infrastructure. But the Quadriad site is literally on top of a subway stop and less than a 5 minute walk to another subway stop. We’ve got pretty good subway access uptown that’s no where close to capacity. They could easily double the number of trains if they needed to, or extend the C train to 207. Transportation isn’t really an issue.

So what this boils down to is aesthetics and zoning and perhaps historic preservation. I had an architectural design professor in college who said “if you break the rules you need to do something really special”. Yes, the 40 story towers break zoning rules, but Dan and I think they’re good enough to warrant the rules being broken.

That isn’t always the case. For example Graceline Court (the silver and pink building in the picture below) stands out on the Harlem skyline, but it’s just incredibly boring…

Graceline Court - tall building in Harlem

Harlem is generally zoned lower than Washington Heights, so this is potentially a bigger issue in Harlem than it is in Washington Heights. I’m actually very much in favor of tall buildings going up in Harlem – but I want them to be interesting to look at, and I don’t want (too many) historically interesting buildings torn down in the process. Graceline Court is just dull – I want something better than that. I’d love it if they build a 40+ story building on the empty lot at 125 & Lenox where the rumor mill says a Hyatt (?) may be built.

So I say Go Tall Uptown (and make it interesting)… What does everyone else thing?